Shiroku-ban is a traditional Japanese paper size
| Size | Width x Height (mm) | Width x Height (inches) | Width x Height (cm) | Width x Height (m) | Width x Height (yards) |
|---|---|---|---|---|---|
| Shiroku-ban 4 | 264 x 379 | 10.39 x 14.92 | 26.4 x 37.9 | 0.264 x 0.379 | 0.289 x 0.414 |
| Shiroku-ban 5 | 189 x 262 | 7.44 x 10.31 | 18.9 x 26.2 | 0.189 x 0.262 | 0.207 x 0.287 |
| Shiroku-ban 6 | 127 x 188 | 5.00 x 7.40 | 12.7 x 18.8 | 0.127 x 0.188 | 0.139 x 0.206 |
Shiroku-ban: Exploring a Traditional Japanese Paper Size
Shiroku-ban is one of the traditional Japanese paper sizes that have been utilized for centuries in Japan. Embedded deeply within the rich tapestry of Japanese cultural practices and arts, Shiroku-ban serves specific purposes in the world of Japanese printing and artistic presentation. Understanding Shiroku-ban involves more than just recognizing its dimensions—it includes appreciating its historical context, its uses, and its significance in traditional Japanese culture.
Historical Context
Shiroku-ban, like many traditional Japanese paper sizes, originated in an era when paper dimensions were closely tied to the specific needs of Japanese arts and communication. Historically, these sizes were developed to accommodate the unique requirements of Japanese calligraphy, printing, and painting. Shiroku-ban, in particular, was often used for books and other written materials due to its dimensions, which facilitated easy handling and reading.
Dimensions and Characteristics
Shiroku-ban typically measures approximately 264mm by 379mm. This size makes it somewhat larger than the modern international paper sizes, providing a unique aspect ratio that suits various traditional Japanese art and literary forms. Its size is particularly favorable for creating printed materials like small posters, menus, and traditional book formats that require a vertical orientation, a common feature in Japanese literature and art.
Uses and Applications
Traditionally, Shiroku-ban has been prominently used in the realm of publishing, especially for “tategaki” (vertical writing). This writing style is characteristic of Japanese literature, where text flows from top to bottom and right to left, aligning perfectly with the dimensions of Shiroku-ban paper. Its use extends to the realms of calligraphy and woodblock printing, where the paper’s dimensions can complement the vertical compositions often preferred in these art forms.
Cultural Significance
The significance of Shiroku-ban extends beyond its practical applications. In Japan, the choice of paper size and type is often imbued with cultural and aesthetic considerations. Shiroku-ban is no exception; it reflects the traditional Japanese aesthetic that values harmony, balance, and a deep connection to the materiality of the paper itself. This size is often chosen for projects that aim to evoke a sense of authenticity and cultural resonance, making it a favorite for reproductions of classical Japanese literature and artworks.
Modern Relevance
In contemporary times, Shiroku-ban continues to be relevant, particularly among artists, designers, and printers who appreciate its historical and aesthetic value. It is also appreciated in the global context where there is an increasing interest in unique paper sizes that break away from the standardization of paper dimensions. For instance, in the design and production of bespoke books, invitations, and artisanal stationery, Shiroku-ban offers a distinctive choice that differentiates products in a meaningful way.
Conclusion
Shiroku-ban is more than just a traditional paper size; it is a testament to Japan’s historical dedication to the arts and crafts. This paper size carries with it a legacy of literary and artistic practices that continue to influence how materials are chosen and used in Japan today. As we move further into the digital age, the continued use and appreciation of Shiroku-ban underscore a collective desire to preserve and celebrate the unique cultural heritage that these traditional paper sizes represent.
